TELYT-R  1:4.8 / 350 lens
Sample photographs
By Mano Fonooni
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Photos and images which appear on this website can be copied for personal or educational use.
Any other use (such as using images for personal or corporate gain) require permission from the Manoochehr Fonooni (contact  mano@fonooni.com ).
Commercial use of any  image without permission would constitute copyright infringement and might infringe other rights.

All images scanned with Konica - Minolta DiMAGE Scan Elite 5400 II.
All cropping done on original slides and then scaned .

Photo 1 a
Photo 1 : 350 mm 1:4.8 lens, on Fuji  Professional Velvia  100 ASA at f 4.8 , camera on monopod.
Above marked area on the  photo cropped and enlarged ( see next photo ) .

Photo 1 - b
 
Photo 1 : 350 mm 1:4.8 lens, on Fuji  Professional Velvia  100 ASA at f 4.8 , camera on monopod.
center of photo 1-a  cropped and enlarged .
The residual chromatic aberrations which are characteristic of long focal length lenses have been kept to such low levels
that they are hardly noticeable on the above cropped and enlarged photo.
Marked area on the above  photo ( 1-b ) cropped again and enlarged ( see next photo ) .
Photo 1 - c
Photo 1 : 350 mm 1:4.8 lens, on Fuji  Professional Velvia  100 ASA at f 4.8 , camera on monopod.
Marked area  on  the  photo 1-b  cropped and enlarged .
 The residual chromatic errors do soften the edges of fine detail as  there is a fair amount of color fringing at small spots.
Stopping down the lens as much as possible can make the color fringing disappear. But this may not always be possible depending on the light conditions and the object you are shooting.

Photo 2
Photo 2 : 700 mm f :9.6 lens ( 350 mm 1:4.8 lens with the EXTENDER-R 2x ), on Fuji  Professional Velvia  400 ASA at f 9.6 , camera on monopod.

Marked area  on  the  photo 2 ( above )  cropped and enlarged . The residual chromatic errors do soften the edges
of fine detail as there is a fair amount of color fringing . There are several ways to fix the problem in Photoshop.
 Next photo shows corrected version of above photo.
 


Link to :How to correct chromatic abberation in Photoshop
Photo 3
Photo 3 : 700 mm f 9.8 lens ( with the EXTENDER-R 2x ), on Fuji  Professional Velvia  400 ASA at f 11 , camera on monopod.
Photo 4

Photo 4 : 700 mm f 9.8 lens ( with the EXTENDER-R 2x ), on Fuji  Professional Velvia  400 ASA at f 9.8 , camera on monopod.

Photo 5



Photo 5 : 700 mm f 9.8 lens ( with the EXTENDER-R 2x ), on Fuji  Professional Velvia  400 ASA at f 9.8 , camera on monopod.


Photo 6 : 700 mm f 9.8 lens ( with the EXTENDER-R 2x ), on Fuji  Professional Velvia  100 ASA at f 9.8 , camera on monopod.